Harry Potter and the Deathly Hallows - Part 2To talk about the end of an era is probably an understatement. The extent to which J.K. Rowling’s books and their subsequent adaptions for the silver screen have impacted teenage culture is a phenomenon quite beyond compare. For the countless fans who have grown up with their beloved characters, this final half of a chapter marks the end of a decade of midnight queueing, hopes, fears and expectations as all the emotional ballast of seven predecessors sets down on Part 2’s shoulders. For those loyally devoted and indeed for the filmmakers and our trio of protagonists it will be a bittersweet ending as they come to terms with the fact that it really does all end here as the teaser posters touted. To live up to such hype is no easy task for any filmmaker but as before, director David Yates and his crew of muggles have diligently captured the magic of the series that only the books themselves can top.

After the rather slowly paced “Part 1,” this hits the ground running and very rarely lets up throughout as out hero and his friends hunt for the final horcruxes and do battle with the dark lord and his minions. After a dangerous journey to the high-security wizard bank Gringotts, Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione (Emma Watson) make it to Hogwarts. Their presence cannot go unnoticed however and soon You Know Who (Ralph Fiennes) and Co are on their way to attack the castle and settle things once and for all. There follows a desperate race against time as all the remaining wizards try to keep the forces of evil at bay while trying to find and destroy those bits of Voldemort’s soul with which he cannot be truly killed. It’s an action-spectacle of the highest order, that maintains a breakneck pace and almost non-stop carnage. And heavy stuff it is too: Hogwarts is being blasted to rubble, the Quidditch pitch burns, so much that we and the characters have come to love is under serious threat here. With such few moments of respite, the racing story draws on the viewer as each and every character reaches his or her own personal climax within the sprawling and incredibly dense plot.

Yates and Steve Kloves’ screenplay manage to walk that fine line of balancing very moving and personal moments amidst the action and this will ultimately prove the real payoff for fans. With such an enormous supporting cast that includes Maggie Smith (sorely missed in previous episodes), Michael Gambon, Robbie Coltrane, John Hurt, Julie Walters, Jim Broadbent, Emma Thompson, David Thewlis and so many more besides, it’s good news that room has been found and the need for closure recognised even for minor characters. Matthew Lewis as Neville and Evanna Lynch as Luna too, both long regarded as some of the finer casting choices among the “child” actors, get to shine in their roles. Perhaps most satisfying of all is the detour that’s taken (at a climatic point nonetheless) to finally reveal the motivation behind Alan Rickman’s shady and complicated Snape. It’s a very fitting send-off and it’s worth seeing the film purely for this as it perfectly embodies the sense of magic, wonder and drama present in the books as a whole. Meanwhile, Daniel Radcliffe manages to hold it all together even though his personal tale threatens to be overshadowed by the sheer scale of things. Hie performance is perfectly judged and never gives in to sentimentality. A few tears may well flow.

The film is not perfect by any means though the few flaws are much more easily forgivable that in the previous film. For instance, intimate knowledge of the plot is a prerequisite and non-fans will have their work cut out for them in trying to follow who, what and when. Despite being only half a book, Rowling has so much ground to cover that incredulously the film seems rushed at times. The lengthy battle between Harry and Voldemort is a prime suspect here, one that could have been more cleverly devised and could have peeled the villain’s “pure evil” aspect back to reveal his insecurity and motives for being evil in the first place. Furthermore, Yates is unsure as how to handle the resolution of the present-day story, first needing to explain an important plot point gets in the way of what it all means for the protagonists’ journeys. Were it not for the excellent epilogue, the emotional climax could even have been described as underwhelming. However, fans can be forgiven for passing over these minor detriments and in reality, they do not hurt the film in any great capacity.

Harry Potter and the Deathly Hallows - Part 2 OSTAlso returning for this final chapter is French composer Alexandre Desplat. His score for “Part 1” was polarising, some fans praising his orchestral diversity and style while others bemoaned his failure to establish a musical coherency for the franchise as a whole. His music for “Part 2” lives in a similar situation with very solid action music and reprisal of his own themes from the first part. These aspects are presented on the soundtrack album but in the film go somewhat unnoticed. This is because in several key scenes, by choice of either Desplat or the filmmakers, music by John Williams (and at one point Nicholas Hooper) composed for the first two films is simply inserted by copy and paste. The reasoning for this is debatable but the suspicion arises that Desplat’s score, while full of finesse, could not pack the emotional punch Yates was looking for and the album presentation of new music would support that argument. Unfortunately for Desplat, Williams’ music is far superior and as viewers leave the theatre “Hedwig’s Theme” is what they will remember. It’s disappointing that Desplat could not incorporate the existing themes with his own and make for a rounded and ultimately more satisfying listening experience. As it stands, the album is very enjoyable but hearing it in the film makes us nostalgic for what could have been if the great maestro John Williams had returned to score the final chapter.

“Deathly Hallows” 2.0 is everything the fan-base could have hoped for, delivering a worthy conclusion to one of the decade’s most defining franchises. Sadly, it is the end of an era and it’s time to say good bye.


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